Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work...
Offenbach: The Tales of Hoffmann (Bregenz Festival)
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Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor...
More than two centuries after its creation, the emotional pull of this supreme opera remains absolutely intact. Dmitri Tcherniakov duly revisits the myth and makes the seducer of Seville a ‘man without qualities’, a cipher whose words have a hypnotic power over women. His words will disrupt the...
‘You could have a blow job aria – begins with words, ends with humming.’ Using the story of a public scandal, the librettist Philip Hensher inspired the 23-year-old British composer Thomas Adès to portray the fall of the libertine and notorious socialite beauty the Duchess of Argyll,...
