Doctor Who returns to the Proms to celebrate the 50th anniversary of the popular BBC series. As well as showcasing Murray Gold’s music from the past eight years, the concert also journeys back to the early days of Doctor Who and the groundbreaking work of the BBC Radiophonic Workshop. Featuring...
When Written on Skin had its premiere at the 2012 Festival d'Aix-en-Provence, conducted by George Benjamin himself, it received a standing ovation. The opera's arrival at Covent Garden in 2013 was eagerly anticipated, and provided audiences with the opportunity to experience the work of two of...
Based on a poem published in 1810 with more ethnographic than dramatic focus, Britten constructed a sombre parable about the conflict between the masses and the individual. The maritime atmosphere, the crudity of people’s lives and passions, and the complex, impenetrable personality of the...
Brett Dean's multi-award-winning opera received its world premiere at Glyndebourne Festival 2017. The world premiere recording of Brett Deans new opera based on Shakespeares best-known tragedy: To be, or not to be. This is Hamlets dilemma, and the essence of Shakespeares most famous and arguably...
Britten’s The Rape of Lucretiabased on the play by André Obey—returned to Glyndebourne in 2015, nearly 70 years after its premiere there in 1946. Fiona Shaw, also known for her performance as Petunia Dursley in the Harry Potter films, directed the staging for this production.
Vienna celebrates Beethoven - Philippe Jordan and the Vienna Philharmonic
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On 22 December 1808, four works by Ludwig van Beethoven were premiered at a major concert in Vienna: Symphony No. 5, Symphony No. 6, known as the ‘Pastoral’, Concerto for piano and orchestra No. 4 and the Fantasy for piano, choir and orchestra. Philippe Jordan and the Vienna Symphony Orchestra...
When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to...
