"U-barn was based on a few simple things: combining some forms of societal imprinting through education and advertisement, some educational situations and an old commercial. And then genetic imprinting, i.e., handicaps of some kind, and show how children behave in a class situation in that case....
Uncompleted portrait of an artist. Fragmentary images from Öyvind Fahlström's studio, with paintings, collages and Fahlström's friendship gathered around a table.
How and why people refused military service in Sweden at the end of the 1960s. This is the reasoning of the Minister of Defense and the friends of non-violence and pacifists.
A street theatre group performs anti-capitalist and anti-militarist plays. The inner conflicts, about how to reach and how tight they shall embrace the working class, escalates and the group split up.
