Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to...
Transplantation, Consumption and Death of Franco Brocani
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Trapianto heralds the end of utopia, the death of that underground, but is also the best prologue in Necropolis, which is not by chance found alive. It 's a film that establishes the passage of rolling between two friends, and Brocani Schifano, shared the same passions, and from living the cinema...
In the Search of the Miraculous is a multi-levelled story realized with extremely personal techniques and with the kind of atmosphere of Poetry and Introspection, only a poet could create. It is, in fact, the story of a poet searching himself through his love for a girl, and of the girl searching...
A (temporary) leave of many friends who are my truest world, with the attempt of getting them together in an ideal summary conceived to support me during my being far away. –A. L.
Anna Carini, Mario Schifano’s partner at the time, is the protagonist of the film. The young woman is observed, followed, questioned in close-up, in both indoor and outdoor settings, by the camera that partially strays into the scene and then briefly makes room for the author himself. —Tate...