Scientific documentary film exposing the cencorship laws in the BRD as an instrument used for propaganda. Its the third part of the "Bundesdeutsche Filmpolitik" Trilogie.
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This...
