In medieval Germany, poor and witty Till Eulenspiegel fools and cheats citizens, churchmen, and landlords. Although in most cases he uses his wit for personal well-being, he often helps the poor and weak. Eventually, he gains an influential but also dangerous position as royal fool at the court of...
After a breakdown, Rita returns to her childhood village in 1961. As she recovers, she remembers the past two years: her love for the chemist Manfred, ten years her senior; how his enthusiasm about his new chemical process turned to bitter disappointment in the face of official rejection; how he...
A depiction of class conflicts in Germany between 1918 and 1945. The Spartacist Erwin is shot by officers in 1918, and his pregant working-class bride Marie begins a new relationship with social democrat Geschke. Erwin's son Hans grows up to be a communist like his father, leading to bitter hatred...
Journalist Daniela Dahn interviews the East-German author Christa Wolf during the German reunification: reflections on history, changing politics, life and work.
On January 27, 2010, Okpako visited the (East) German author Christa Wolf to discuss a film project based on Wolf's novel Medea: A Modern Retelling. Over tea, with the sound of planes landing at nearby Schönefeld airport, they talk about how she came to tell the story of Medea the immigrant,...
Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.
After the death of their father, 18-year-old Helene Raupe (“coccoon”) and her younger sister Asta come under the guardianship of the youth welfare office in East Berlin. Helene fails miserably as a fishmonger, fashion assistant and bus conductor, all jobs ordained for her by the authorities....
From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had...
