Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.
Pitted against the harsh terrain of Australia's Snowy Mountains, two colonial women haul a coffin to its final resting place, only to be confronted with a deadly surprise upon reaching their destination.
