Joana has the same dream as all young Brazilian girls in the 80s: she wants to be a Paquita, a dancer on Xuxa's TV show. Her family is wealthy, and will support her. However, there is a problem; she is black and Xuxa never had a black Paquita on her team.
Ruth de Souza inaugurates the existence of black actresses on stage, television and cinema in Brazil. She carries within her the genesis of an important part of the achievements for black women over almost a century of life. At the age of 95, surpassing 70 in her career, amidst reflections and...
Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.
Joana suffers from a double personality and is obsessed with Anna Karenina, the character from Tolstoy's novel. Embodying the myth of Narcissus, Anna K. is the image and resemblance of Joana, stronger and more seductive.
Cidade Correria is Brazil pulsating and radically collective. Encounter with the overflowing of everyday urgencies, contradictions and potencies through the voice and birth of Coletivo Bonobando.