The Eastern house is a video that reread some key names and some keysequences from the film history: Antonioni (Blow-up), Coppola (Apocalypsenow), Don Siegel. As well it re-articulates the body and conceptual happenings performed in the Eastern European context. The video is a homageto Nesa...
A story of fragility, sexuality, monstrosities and geographical confusions. Everything, everywhere is the slogan of the nineties, a confusion of bodies, concepts and strategies, a kind of out of joint situation for the subject. And we find ourselves in all the media, in all the bodies in all the...
After the fall of the Berlin wall, much changed in Yugoslavia, that is now ex-Yugoslavia; a post industrial, post modern, post national, post colonial, post structural society, that can be perhaps summarized in the concept of post socialism? The disintegration of the concept of ideology means that...
A video based on the dance performance HI-RES by Maja Delak and Male Kline. The video poses questions and give some unexpected answers to what is to be done in contemporary art/dance today, what are the limits of representation, etc.
Bilocation means the residence of the body and soul in two different places at the same time - simultaneously. It is the perfect term for delineating the processes going on in the video medium and for describing the hell and bloody history of Kosovo.
On the Flies of the Market Place deals with the idea of the European space, divided and sacrificed. In a visually surreal world of facts and emotions—using documents from books and magazines—the video suggests a re-reading of the European space, i.e. Eastern and Western Europe. Referencing...
This video dance project is a sort of condensed poetical and cynical look on the situation in the ex-Yugoslav territory. Hysterical and hectic dance movements are put in juxtaposition with surrealistic artificially constructed imageries, based on Magritte's paintings and documentary shoots of the...
The video starts as a criminal story of one man chasing another, whereby the emphasis is not laid on the final outcome, but on colour surfaces that sneak into the black and white world of industrial plant. Then the colour instantly covers the entire video surface, a naked man's body appears and the...
Inserts from neo-avant-garde films by Emir Kusturica, Zivojin Pavlovic and Zelimir Zilnik made in the so-called Yugoslav film period of the 1970s and 1980s are re-read, re-worked, re-coded in a video story contemplating the role of different media in the war in Bosnia and Herzegovina in the time of...
