A misanthropic, struggling photographer just wants to watch TV and eat candy while his wife is out of town, but when a desperate old pal resurfaces, his plans are thwarted, with spooky consequences.
Two former best friends (who currently hate each other) are forced to reconnect when their third former best friend (who they also hate) tasks them with spreading his ashes. There's only one problem: they couldn't care less.
Thomas reflects on his Alabama childhood and his identity as an “aging emo kid” in LA through stories and songs on topics like dating, drinking, family and his mom’s legacy.
A meager apology tests a woman's fortitude to forgive in this expertly deadpan comedy that wittily articulates the oft selfish objectives that belie performative remorse.
It is 2026. New York City is under 600 feet of water, famine & radiation have transformed the human race into a mutant species of trash eating freaks known as S.L.U.G.Z. Part of Brain Dead’s Mutant Sequencer Vol. 1
Playing a version of himself, director Whitmer (aka Whit) Thomas drifts through L.A. meeting up with a series of friends and alienating them in various ways.
