This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the independent New York art scene (concerts and theater perfomances on the streets and in the clubs of downtown). It is a sort of summary of Steina and Woody...
This tape was created when Woody visited his native Moravia with a Portapak camera. In the course of signal modulation an alteration in the field of raster lines is taking place, in which the lines are being vertically deformed and gain the contours of objects (with the use of a Rutt/Etra...
The opening of The Vasulka Effect couldn’t be more apt: Steina Vasulka addresses her husband Woody through various TV screens. He does the same and replies. A perfect image of the relationship between the free-spirited, groundbreaking pioneers of video art. After meeting in Prague in the early...
This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative strategies: In each of the eleven segments of this "electronic opera", different effects are used. Fascinated with the remarkable personality of infamous...
Description from Portable Channel catalog: "This Program is a unique broadcast presentation of the Vasulka's recent experiments with the electronic image. It is not "video on TV" but a "videobroadcast" direct from the Vasulkas' loft in Buffalo, New York." The broadcast does in fact feature 3...
A broadcast presentation of Steina and Woody Vasulka's experiments with the electronic image. Featuring a 15-minute "jam session" of improvised video feedback art.
Matrix II explores the properties of images and sounds in the medium of video. Geometric shapes travel across a ‘matrix’ (grid) of cathode ray tube (CRT) screens. CRT televisions, which use manipulated electron beams to display images on a fluorescent screen, remained in widespread use until...
Manipulating a variety of sources, Vasulka uses creative imaging tools to situate historical images against Southwestern landscapes of incredible beauty. Contorting the images into a variety of isomorphic forms, Vasulka creates a literal shape for these memories, developing these shapes as...
A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and Schier designed a prototype device, the Vasulka Imaging System, or Digital Image Articulator. It was one of the first digital audiovisual tools to generate...
In Discs, originally made as installation for a set of monitors, the creators experiment with the phenomenon of horizontal drift trhough the indtroduction of purposeful time error. The result is the repetitive abstract pattern of a distorted magnetic field. Furthermore, this horizontal stream also...
One of the works assembled in the series Sketches. These early sketches, created not without the irony, examine ways of manipulating the video image. They indicate that the documentary trend in the Vasulkas' work was from the beginning mingled with free experimentation. These short tapes were...
The Multikeyer and Scan Processor are used for creating the pulsating abstract composition showing six different cases of audio-video interface with the simultaneous generation of sound and image.
