It is a film about the deep Brazil, not Brazil as a society, state or experience; it is a film about a geological, prehistoric and pre-logical Brazil. The adventures of the Caribbean monster, its wanderings along a virgin beach evoke, before Brazil, the artistic wanderings of a filmmaker in...
A liberal interpretation of the book Galáxias, one of the most important works by the great contemporary Brazilian poet Haroldo de Campos, written between 1963 and 1976 and published in 1986. Bressane considers this work of poetry the Portuguese Finnegan's Wake. The video is a disorganized system...
For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M....
After being orphaned, a boy is raised by his grandfather and uncles, rich rural landowners, on a sugarcane plantation where he grows up, studies, learns about politics, love and disillusionment.
Sequence plans in full freedom of investigation of bodies, of their shadows, means and desires. It is the extension of the movement and the apprehension of the light on the frame. The end is loud. A visit to Brazil's visual past. About exploring these images (or ideas) to the fullest to innovate...
"Life and work of the Maranhense poet Sousândrade (1833-1902), illustrated with engravings on Brazilian history, from the discovery to the proclamation of the Republic."
The meeting between the young Brazilian author Oswald de Andrade, 18 years old, and the famous American ballerina Isadora Duncan, 40 years old, as she traveled through Brazil.
