The heraldic image of the fleur-de-lis weaves through the story of an orphaned girl, born with a birthmark in the shape of the insignia her mother had become obsessed with before her death, as her own fascination with the symbol leads her to a series of troubled relationships with powerful men....
Mrs. Burne-Smith and Mrs. Winthrop have determined to make a match between their respective children regardless of the fact that the two in question have never seen each other.
Mabel and Bill Dumphy's visit with Hazel & Lon Chaney
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Lon and Hazel Chaney with Mabel and Bill Dunphy play with a dog [perhaps Sandy] and perform some vaudeville routines. Later men and women, including Lon and Hazel and Lon's son, Creighton and his friends, and perhaps Eddie Parker, sit inside smoking, drinking, and talking.
A humble, conscientious factory worker decides to take matters into her own hands when her guileless younger sister catches the eye of a disreputable department manager. Mostly lost: a small fragment exists.
Hazel and Jack are about to be married. At his death, Hazel's uncle, Howard Wild, has bequeathed to them as a wedding present a deed to the old Wild mansion.
Bradford Vinton falls in love with a girl singer from the slums, but his father makes plans to break the relationship; when the plans fail, he disinherits his son.
A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
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Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a...