A dysfunctional couple invites a bunch of friends, as well as a trio of hippies, in their country house for a week-end of fun and games, psychodrama and softcore couplings.
When they get wind that Herman Goering wants the Venus de Milo statue removed from the Louvre and added to his private collection of stolen artworks, three Frenchmen decide to take action.
On a festive spring day in 1940, two young quan họ singers fall in love. But their relationship is soon ruthlessly disrupted by class injustices, imposed upon both—and many other Vietnamese—by the ongoing French colonial rule and the looming Japanese occupation.
