A repressed young woman becomes obsessed with pornography and the mysterious rich patrons of the Times Square porn theater where she works selling tickets.
I am so endlessly alone. Whats my illusions, whats my odds, and illusions have to be killed, I don't have more time to destroy. Is my loneliness real and is my longing about what? Then who are this people?
Artist and life-long nerd Johannes Grenzfurthner is taking us on a personal road trip from the West Coast to the East Coast of the USA, to introduce us to places and people that shaped and inspired his art and politics. Traceroute wants to chase and question the ghosts of nerddom's past, present...
Inspired in form by American police TV shows and soap operas, The Golden Boat is a madcap, surreal dash through the streets of New York city, telling the mysterious and often hilarious story of an aged street-person named Austin, a comically compulsive assassin, as he joins up with a young rock...
A short film based on the literary work of author Kathy Acker. Set in the 60's and 70's, a young female writer explores her identity through sex and writing.
Documentary tracing the extreme life of outlaw writer, performance artist and punk icon, Kathy Acker. Through animation, archival footage, interviews and dramatic reenactments, director Barbara Caspar explores Acker's colorful history, from her well-heeled upbringing to her role as the scribe of...
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.
"Blood and Guts in High School" features actress Stephanie Vella in a series of video installations that re-imagine punk-feminist icon Kathy Acker’s book of the same title. The book received noteriety from 1978-1982 during the rise of Reagan republicanism and the emergence of punk rock. In...
Film becomes a metaphor for lost history and its “negative“ impact on successive generations who look for stability in an electronic world that lacks sufficient mediation. Video retrieves lost memories for the child who, through her camera, seeks to find her father.
Kathy Acker talks about being 14, hanging out at the New York Filmmakers Cooperative with Jack Smith, Stan Brakhage, and boyfriend P. Adams Sitney. She speaks to the theft of language, narrative versus myth, and digging herself out of hell. The interview was shot on Halloween night, 1996.
The day after recording the video piece that has come to be known as BLUE TAPE (but which was never intended to have a title), Sondheim and Acker made a second, related tape. Commenting on and structured after the first, it similarly documents a charged intellectual and sexual encounter but with...
