Down on his luck and recently divorced, Paulo has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must...
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that...
Vera and Gabriel, an elderly couple, navigate through past and present, telling their own life story. Their remembering, rendered in images from family archives that confound themselves with images of the present, suggests a personal diary on love and death.
At 84 years of age, Lúcia Rocha admitted herself to a hospital in São Paulo to undergo heart tests. Upon receiving the news about the risk to her life, Lúcia, laconic, tells the doctor: 'Then open it'. This is the second time she has undergone bypass surgery. From this gesture, the documentary...
The film is a narrative starting from the story of Pierre and Syl, a couple that experiences the conflict between possession and freedom in a troubled relationship. Pierre is insecure and jealous, while Syl can’t even imagine that spending time with her friends will affect her boyfriend’s...
Freely inspired by the poem Hierarquia (1970), by Pier Paolo Pasolini, which launches his vision of Brazil at that time, the film takes up and confronts the hybrid reality of a convulsed country, its dramatic tensions, based on radical experiences.
Reviewing home videos, filmmaker Paula Gaitán constructs a curious narrative about her youth while talking to her children. A filmic note in the form of an essay based on material made in Super 8. "Of which there are no limits, and full of affection and imagination", says the author.
A documentary short on Tempo Glauber, a foundation created by filmmaker Orlando Senna and Glauber Rocha's mother Lucia in order to celebrate and preservate her son's legacy.
A man shaves under the watchful eye of a cat. His beard becomes a cat and the cat a beard. The film merges the two concepts of chimera: as a noun, it is the result of imagination that tends not to come true; in Greek mythology, a figure with the hybrid appearance of two or more animals.
A meeting with music, composer, poet and sociologist Negro Léo. He gives his thoughts on the development of music, Brazilian and international politics, the rise of neo-pentecostal evangelical churches and obsession over social media, in parallel with his own life story.
The film presents the theatrical show "Os Sertões", staged by the group Teatro Oficina during 2007, in the city of Canudos, founded by Antonio Conselheiro and massacred by the Brazilian army in 1897.
