Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnations Revolution", as that period would be later known.
Documentary short about the April’s Captains and the Carnation Revolution from the point of view of the MFA (Armed Forces Movement)- a coalition of Military officers – namely Captains and Majors – who banded together to overthrow the Authoritarian regime that ruled Portugal for over 40 years.
Every year, especially in August, thousands of emigrants return to their villages from France, Germany and other countries of immigration. In 1975 these migrants are faced with popular festivities that are celebrated but, now, also with the political turmoil of the post 25 April. Before the...
A digressive quest, through conversations with various people, about the need humanity has always had to tell stories about itself, about the power and enchantment of fiction.
Luís Medeiros, Azorean painter, meets two odd characters in an exhibit in Lisbon: Inês, a charming woman, and Ed, a sneaky man. The two reveal to have with them a precious document that might be threatening to Luís. He brings them back home but his serenity is over due to an unexpected chain of...
Cristina disappears. Tiago, her boyfriend, says that she was kidnapped, two police officers (Marco and Madalena) investigate the case and try to find the truth.
The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel
Some time ago Gerardo knew another man of the same age called Berardo. When he said the name, Berardo expressed his oppinion violently, saying that the «G» was owed him and that Gerardo, since he owned it had somehow stolen something from him. Berardo then tries to get something back which soon...
An unconventional portrait of Lopes Graça - the composer discusses the overview of Portuguese music in the late 60s as well as the evolution of his own work.
In the Interstices of Reality or The Cinema of António de Macedo
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He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?