Confessions of a Sociopath is an autobiographical film on digital video and Super 8 film, conceived as a real-life version of Beckett’s Krapp’s Last Tape. In this film, Joe Gibbons plays a fictionalized version of himself as he discovers a roomful of Super 8 footage from his own life, detailing...
Please Leave a Message: Anthology Film Archives Voicemails Through the Ages
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This very special film features a carefully curated selection of some of the priceless messages that have graced Anthology’s voicemail system over the years. From the historically important to the utterly (and sublimely) absurd, they feature a cast of characters ranging from legendary avant-garde...
Joe Gibbons plays Dr. Joe Baldwin, the self-styled child education expert who prepares Zoe from birth, for acceptance into a coveted gifted-only kindergarten program. What becomes evident is one man’s misguided quest to manipulate pitted against one child’s exuberant resistance to being...
A ramshackle underground SF satire set and shot in the self-absorbed art world of lower Manhattan, written, produced, and directed by Joe Gibbons, who also plays one of the lead parts. Gibbons plays a mad scientist who's developed a technique for transferring personalities from one person's body to...
After several bank robberies carried out in the name of art (and money), video artist and former MIT professor Joseph Gibbons leaves prison, re-enters the art world, and tries to go straight for the very first time.
Heretic is composed from the outtakes of Joe Gibbons's no-budget feature The Genius, set to John Zorn's Naked City "soundtrack" album Heretic, and recomposed as a satire on Psychotherapy. Features original narration performed by Frank Snider. A study of editing and its relation to the mechanics of...
It’s the first day of autumn, and Gibbons can already smell death in the air. Leading us and his dog Woody on a walk through a cemetery, Gibbons voices his obsessive thoughts of death and destruction. Waxing weirdly philosophical, Gibbons satirically tries to impress the concept of mortality on...
As recent state cut-backs force many mental patients out into the real world, Tony Oursler and Joe Gibbons team up to address psychiatric deinstitutionalization from a comic angle. After years of being cared for, Tony, Joe and their dog Woody leave the cuckoo’s nest and reluctantly face the...
"Seldom has depression been played to such comic effect .... The camera sits on a tripod considering Gibbons as he hunches over his kitchen table, slugging vodka, chain smoking, and toying aimlessly with a half-eaten potato. Morose and giggling by turns, the filmmaker launches into a broken account...
A man who has devoted his life to tending roses finally confronts his love objects, castigating them for their preening self-regard and disregard of his own feelings, resulting in a violent catharsis.
A portrait of a filmmaker confessing his remorse at the scandalous manner in which he gathered material for his voyeuristic film, Spying. here an eerie interpersonal relationship is developed between the filmmaker and his camera which culminates in violence…
Spying is equal parts diary film, structural film and conceptual film. The filmmaker “spies” on neighbors, passersby and day workers—whomever is visible from the vantage point of his camera as he gazes across the San Francisco cityscape. The film is a subjective portrait of the neighborhood:...
Tension between a man and his handsome young rival (a Ken doll) erupts into violence. Their interaction devolves from a series of tussles to a spanking.
A real-time video-meets-digital animation trilogy of shorts featuring the highly excited (and mildly delusional) Joe Gibbons. Brilliant computer animation by collaborator Emily Breer provides an additional layer of biting commentary.
A documentary shot in SF circa 1979 about a trio of middle-class kids experimenting with heroin and cocaine. They start out innocently enough but they soon get in over their heads.
