On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.
After her mother's death, Sofia returns from a Swiss college to her family's luxurious villa, in Cascais. Through the relashionship between her father, Henrique, and his lover Laura, she will discover the complexity, egothistic, discrete and hypocrite way of life - from which there is no escape.
A small group of well-to-do vacationers go on a hiking trip into the woods. Foolishly unprepared to deal with Mother Nature and their situation, they wander around lost for days and weeks, becoming more and more fatigued, hungry, and desperate. A brief encounter with a pair of epicureans on a...
Trafaria changes his business to Angola, in search of a more profitable occupation, by shaming the pioneers. There he engages in the obscure social and political environment, from which emerge some characteristic figures - administrators, their wives and secretaries, Arabs, police officers, priests...
At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity...
Beladona was the greatest star, or so she thought. Careless of her rural property, she lived by night countless adventures. From one such nights in the arms of a stage and movie producer, she begot her dear Lilás. Alas, six minutes after birth, the boy was taken from her and declared dead - due to...
The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.
This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!
In an imaginary future, Portugal consists of an association of states - North and South - with zones of specific influence. City under vigilance, Lisbon is inhabited by a repressed and militarized population. Maria and António stand out in this city and surrender themselves to a submersive love. ...
15th century. D. Afonso, an old jealous nobleman, demands that all stay away when his wife, D. Leonor, goes to church to pray to Our Lady of Mercês. Another nobleman, D. Rui, sees her and fells under the spell or he beauty. D. Afonso orders his wife to retreat to Quinta do Cabril, and decides, one...
From the military planning to front-line operations of discover conquest of Mozambique by the Portuguese, to counter the Vatuas insurgency of 1894, when they were led by Gungunhana, a cunning strong African leader. Against the background of Marracuene, Coolela, Manjacaze, Chaimite and Macontene...
Joe Valente, a luso-american, returns home with the dream of turning molice picking into a real industry. But this will cause misery for those who use the traditional methods.
The shady side of an Italian textile trade in northern Germany is the subject of this slow-paced but atmospheric drama featuring Alberto Sordi as Totonno, a low-level, petty criminal anxious to move up a somewhat crooked ladder. Rising to the rank of the "dons" -- Don Raffaele (Carmine Ippolito) or...
Manuel and Pedro have different approaches to love. Manuel suffers a disgust that makes him sullen, and enters the priesthood. Pedro keeps on in his carefree ways, and commits a robbery. Manuel knows the robber is Pedro, but he learned it in Catholic confession. To keep his vows as a priest, he is...
A 1985 Portuguese language drama film directed by Manuel Costa e Silva, starring Luis Varela, Teresa Goucho and Vitorino Salomé. The film screened at International Film Festival Rotterdam in 1988.
A young agricultural conductor, Pedro goes to Alentejo to work in a farm, in March 1974. The contact with the workers and the experience of their problems make him aware of the exploitation to which they are subject. Such an attitude is not understandable to the workers - coming from the son of a...
