Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy...
Zeliha is back: Crazy and candid as ever, and she still gets herself into all sorts of trouble. Seeking love in the first film, Zeliha is now after a career in the sequel, as she dreams of becoming a cook and starts working in a luxury restaurant. Will Zeliha's dreams finally come true, or will the...
The story takes place in a small town (called Hakkari) in Turkey at the beginning of the 70's. The time has come to bring technology into that small town. The first Television (or called Visiontele by the citizens) arrives and the chaos begins.
Life is tough for Geyikli clarinetist Huseyin Badem after marrying his true love, Mujgan. He must grab every opportunity that comes his way to take care of his expanding family, even if it means playing clarinet by night for dingy clubs in the area.
Failed magician Iskender decides to do a tour to save his career, but has to bring his grumpy and senile father along. The tour is quite unexpectedly interrupted when a bride actually disappears from the stage.
Hüseyin is a young man who lives with his grandfather and grandmother in a village in Thracian Turkey. The two great loves of his life are his clarinet and Müjgan, a nurse. Although Hüseyin is content with his life, with his music and dreams of Mügan, due to an unexpected development he leaves...
A clarinetist from a village in Turkey's Thracian region tries to reach his fiancé, who works as a nurse in a village near Çanakkale, to give her a ring to win back her heart.
Deli Dumrul is an epic character in Turkish literature. Dumrul fell in love with "Guncicek", one day Dumrul heard the Reaper took her soul. Dumrul wondered, who is the Reaper, then he challenged The Reaper.
“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat......
While Beckett centered on existential matters in "Waiting for Godot," Şensoy authentically adapted this play to address and mock the oppressive and fascist authorities in "Godot Go Home."
