Tabula Rasa is the second chapter of a three part project, where its central element, which follows Nocte, is a performance continuing the same plan: a double screen where images of a black and white reel unwind and a third beam where matter is invented for every projection. An imaginary journey...
A suite of urban deserts scratches and cracks over and over at each screening. A breach of light opens and closes on mnemonic traces. The alternation of the film is done directly on the spot, the representation of the image is in perpetual confrontation.
Aphasia is an unsettling inquiry into the representation of violence and the violence of representation. This documentary gesture explores how collective crimes keep being repeated and reflects on social and political constellations, unfolding constructions behind nation-states and national...
Two brothers find themselves on their childhood island. Together, they will cross a path of reconstruction. This path, consisting of escapes and dreamlike visions, will make a new relationship possible.
In Paris’s Goutte d’Or district, Malick skates all day long. Confronted by his daily life, he dreams of escaping to America. His father once told him the story of Abu Bakr II, the African king who discovered America. This king who crossed the Atlantic will change his perception of life.
A moment in the universe: a few seconds up there in space, a few minutes down here for a man, and how many for the plant that looks at him. Little by little, these three paths mingle and merge, plunging us deep into matter.
The macula is commonly known as the yellow spot, located near the center of the retina at which visual perception is the most acute. A photosensitive body rises from shadow to burn out in light.
A film poem filmed at Antwerp Zoo echoes diasporic voices of displacement. The work is inspired by the writings of W.G. Sebald, who offered an alternative model of memory through intertextuality and a metonymical narrative technique.
