In three parts: Statice/frameline; Drops; The Cannonball Section. Unpopulated (except for the cheap ending on the Cannonball Section). (Previously shown as SLOW FLUSH.) –A. C. H.
By Halves uses appropriated footage from rejected 35mm prints that were cut in half and readjusted to be used as spacers for 16mm to sync sound tracks on film, and not meant to be projected.
A bewitching, mysterious work of enveloping beauty, the film’s ominous title and a dedication to Anne Frank deeply inform our reading of its haunting subtext. Preserved by the Academy Film Archive, in partnership with the National Film Preservation Foundation, in 2009.
Reveals the history of camerawomen around the world, celebrating not only the survival of pioneer women in a male-dominated field, but a new generation of camerawomen's visions.
Illusions of surface, abstract to pictorial. Initially the grain of the film emulsion, complete with scratches, variations in framing – the meat of film – are the most apparent elements of all. The object shown is revealed to be a bowl of canned peaches. But even with identification, the visual...