Commissioned for the 1980 Winter Olympic Games in Lake Placid, New York, Olympic Fragments is a taut, expressive reinterpretation of athletic movement, a tour-de-force of dynamic editing and post-production techniques. Through sophisticated visual and aural juxtapositions, Fitzgerald and Sanborn...
A sequel to Ear to the Ground, Ear-Responsibility finds avant-garde percussionist David Van Tieghem roaming the streets of New York, discovering the inherent rhythms and music in ordinary objects, from sidewalks to subway cars.
The Planets is an epic video feature commissioned by the new music ensemble Relâche. The score took composer Kyle Gann twelve years to complete and became a multi-media immersion into the myths and mystery of the planets when Relâche commissioned video artist and director John Sanborn to take...
Music Word Fire And I Would Do It Again (Coo-Coo): The Lessons
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Buried inside the epic American opera for television, “Perfect Lives” are the boogie-woogie lessons being sold by Buddy to untalented people in the middle of America. This pilot for the series is an abstraction that plays on the meaning of life (which is unknowable) and how to make art...
Endance is a witty take-off of a public television documentary. Choreographer Tim Buckley solemnly discusses his life, work, and decision to stop dancing, in a convinving narrative built on a false premise: the end of a dancer's career.
Italian video producer Magmart asked me to participate in their F.I.V.E. project - a collection of 25 artists exploring the five senses. This series showed around the world at both traditional venues (museums and galleries) and unusual spaces, like a grocery store in Canada. I was assigned the...
In Ear to the Ground, David Van Tieghem uses the city of Manhattan as his musical instrument, playing the surfaces of the sidewalks, buildings and phone booths with his drumsticks to elicit an ingenious range of percussive sounds.