Seen from a bird's eye view, a figure paints the walls and floor of a windowless room six times in six days, using each of the primary and secondary colors.
From his photo-text canvases in the 1960s to his video works in the 1970s to his installations in the 1980s, John Baldessari’s (b.1931) varied work has been seminal in the field of conceptual art. Integrating semiology and mass media imagery, he employed such strategies as appropriation,...
Baldessari progresses from simple, static images, such as a rock in an empty room, to complex narrative scenes, like a woman eavesdropping on her next-door neighbor. Through the gradual integration of cinematic techniques—motion, color, sound, acting, editing and arc—the artist inverts the...
'Folding Hat' is a deadpan conceptual exercise that represents a dashed attempt to rescue an object from the meaning assigned to it. Whistling an aria from The Barber of Seville, Baldessari bends and folds a simple hat into numerous configurations. However, for the duration of the exercise, which...
Script is the opposite of an improvisational exercise. Seven couples, all amateurs, are handed pages from random movie scripts and instructed to enact the absurd text through force of imagination, without direction or knowledge of what the others are doing.
A series of 19 short parables concerning modes of representation, language and cognition. Often conveyed through conscious misinformation, Baldessari's witty puns and jokes play off the relation of word, image and meaning; the intersection of what is heard or written, what is seen, and what is...
In a sly twist on the methodology of the 18th-century "philosophes" who classified the laws and history of the world in massive encyclopedias, Baldessari devises and then subverts his own system for cataloguing the world. In a matter-of-fact tone, he states that he is going to present a precise,...
The Meaning of Various News Photos to Ed Henderson
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Baldessari introduces eight news photos to Ed Henderson — ranging in subject matter from geese at the zoo to an accidental electrocution — and asks him to identify them. Henderson's associative responses suggest the projection of unconscious desires and fears onto these arbitrary images, which...
In Walking Forward-Running Past, Baldessari ingeniously employs photography and video to examine and ultimately deconstruct film. In this conceptual exercise, he tapes up photographic film stills of himself walking toward the camera—coming closer with each successive image—and then photos of...
John Baldessari is today known as one of the leading conceptual artists of his generation, using found or appropriated images and exploring the associative power of language. Like many experimental artists Baldessari began his career in the more traditional realm of painting. Rather than merely...
In 1971, Baldessari was commissioned by the Nova Scotia College of Art and Design in Canada to create an original, on-site work. Unable to make the journey himself, he suggested that the students voluntarily write the phrase "I will not make any more boring art" on the gallery walls. Inspired by...
In an ironic reference to body art, process art and performance, Baldessari challenges definitions of the content and execution of art-making. Performing with deadpan precision, he moves his hands, arms and entire body in studied, minute motions, intoning the phrase "I am making art" with each...
“[A] rather perverse exercise in futility,” this tape documents Baldessari’s response to Joseph Beuys’s influential performance, How to Explain Pictures to a Dead Hare. Baldessari’s approach here is characteristically subtle and ironic, involving ordinary objects and a seemingly banal...
Presented without commentary, this film reveals the thinking behind the work of John Baldessari over the course of his career, and provides clues to the understanding of the artist's paintings, photographic work and books.
