COWBOY is a film that questions masculinity today, has masculinity been changed over the years? Is the idea of masculinity still the same? The film uses the most cliché "manly" characters in film history, cowboys and follows them as they wander through Brussels.
Rocco, a high-strung shift leader at a restaurant, faces an existential crisis when her demonic double shows up and orders a spicy Chinese dish. As the night unfolds, she is forced to confront kitchen chaos, her inner darkness and her mom.
The film takes a look at seven different twilight zones between the physical and virtual. We cannot escape from the grid but can we bend it from the inside?
