The mystery of entire districts of the metropolis that are emptied of human presence. A disturbing new order that investigates and represses. The lives of three women intertwine in an ambiguous game of escapes and captures, in which the roles of victim and executioner are exchanged to the point of...
For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M....
“Why did you kill her?” Lou asks Philippe again. The life-odyssey of Joana, a modern-day Moll Flanders, continues as she moves through different times and places, like the stations of a personal via crucis, with occasional leaps into the present. From Paris to Rome and on to São Paulo. The...
Portraits of women, stories from their past and their present as prostitutes working between Italy and France (and Brazil). Women who used to think they were lost, and men just as lost as them.
Experimental short made from scrap film material. Coda is after the end, it's the countdown, it's skin and film, it's 35mm, it's digital, it's a game, it's pirated, it's blind, it's primitive, it's punk, it's a crime, it's a love song, it's a wound, it's against cinema. There is no Coda.
Husband and wife Carlo and Grazia make bread in their wood-burning oven and also distribute it to the sellers. They work all night long, every day of the week, as their families used to do. They live in Gorgiti, a village in Tuscany, on the mountains near Arezzo. On the other hand, in Rome, some...
Lingue di luce – M. Bacigalupo racconta il suo cinema
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Massimo Bacigalupo, in his house in Rapallo, talks about his cinema, which passed through the festivals of the FEDIC circles and then in the lively and active Rome at the turn of the 1960s and 1970s. Massimo talks about his films and recalls his encounters with Mekas and Markopoulos, the...
