Christian Boltanski is one of the greatest contemporary French artists, known the world over. The narrator, who once knew Boltanski, attempts to reassemble the images of a friend he hasn't seen in twenty years. This is the starting point for a kind of investigation in which documents of varying...
Entre-temps (Between-times) combines photos of Boltanski at different ages. Originally projected in a loop on a plastic curtain for its first exhibition at he Yvon Lambert gallery in 1996, it is presented now on a string curtain. We see the artist age and then returning to the childhood in a...
This performance was recorded in the presence of an audience. In his act, Boltanski deals with various incidents from his childhood. All the sketches are set in the past, which suggests that most of the characters are no longer alive.
Essai de reconstitution des 46 jours qui précédèrent la mort de Françoise Guiniou
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A young woman threatened with expropriation decides to shut herself in her apartment with her two children, until death ensues. Boltanski, following the logic of despair, shows us the unimaginable.
Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and...
From his diary, filmed over ten years, filmmaker Alain Cavalier invites us to a meditation on old age, weakness and death. Made of moments of life, fragments of images, this film composes a mosaic where the spectator is invited to also find his place by himself...
Boltanski created "Animitas" in the Atacama Desert, a location steeped in history. The title of the work comes from the name given by Chileans to the religious altars erected on roadsides to mark the spot where an accident occurred. Tiny bells attached to long rods sway and tinkle in the wind. The...
On his search to find an answer to the question of destiny, Boltanski travelled to the north of Patagonia, where whales gather at certain periods of the year. Legend has it that whales harbour the secrets of the universe. With the help of acoustic enginners, he installed horns that are specially...
In his studio, in his car, Gérald Fox follows the elusive Boltanski who, in his installations, makes use of portraits, newspaper clippings, magazines, family albums. The photographic approach, endlessly recomposed, proceeds by juxtaposition and accumulation. Each shot, framed in black, is lit by...
Trimmed photographs taken from different sources such as postcards, newspapers, police registries, and family photo albums, creating a vast art installation, merge Christian Boltanski's everyday life and lost memories.
Initially created in the form of an installation in the Atacama Desert in Chile, Animitas pays homage to memorial altars. Filmed in a single static shot from sunrise to sunset, with a ground-level view of an expanse of fresh flowers, the work captures the sound of 800 small Japanese bells, chiming...
Robert Gardner has known Boltanski since the 1970s, when he invited him to the Carpenter Center for Visual Arts at Harvard as a visting artist, and the following years since Boltanski has become a major figure in the art world. Gardner and photographer Michael Hutcherson travelled to Paris to make...
