Morihiro Wada Movies

Video began as a medium that inspired discovery. This art documentary traces the expressive roots of “media art” in Japan — works of video, performances, and installations created using video technology that allowed for free and creative visual expression.

Originally shot on 16mm film and presented at Maki Gallery, this work primarily focuses on traffic traveling up and down the major traffic artery Omotesandō in Tokyo. Prefaced by the Wittgenstein quotation included below, the image focuses on the vanishing point—aligning it with the top of the...

A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and...

This U-matic video incorporates a number of frequent images from Wada's oeuvre: a camera advancing down a colonnaded pedestrian walkway beneath an elevated train line, the figure of a woman with her back to the camera retreating down a street toward a vanishing point by walking or running, and...

A static image of a rock next to a curb is overlaid with the deformed reflection of light and shadows from pedestrian and vehicular traffic. An alternatively whispy and shrill, irregular slide whistle soundtrack is occasionally punctuated by a male voice saying "this is," culminating in an...