An opera diva (Mimi Minus) makes her grand solo appearance. The individual stages of her transformation in the dressing room are celebrated with glamorous gestures. A meditative ritual becomes a trigger for the appearance of a second, identical opera diva. This one, however, immediately transforms...
The filmmaker and artist Mara Mattuschka and the composer and musician Elisabeth Schimana have a rendezvous. Mara Mattuschka hears nothing and Elisabeth Schimana sees nothing. They have, however, agreed on a common line, on a text to be written together that, like a score, will serve as this common...
A body junkie: man must lay bare his hidden ingredients, dismantle his body, his integrity, his presence, and his identity in order to create a challenge both physical and metaphysical.
Titania, a clumsy adolescent, sits in the tub, on the top of the plug-hole, the entrance to a murky world full of filth, bugs and hazards, which connects her to all the ass-holes in the world. Elements of this world now hover like Ghosts on the surrounding tiles, while Mimi Minus ruminates on the...
In the experimental short film PART TIME HEROES film artists Mara Mattuschka and Chris Haring stage a ballet of vanities with retro flair. The search for fame elevator goes up and down and egos bust and boom. Each character is isolated in an anachronistic, film-star dressing room, left alone,...
In NavelFable Mara Mattuschka subjects herself to a second birth through endless pairs of tights. Her body struggles so hard and in such a deformed manner from out of the layers of nylon that the sheer struggle for survival becomes visible.
Autobiographical notes about bringing up children. A birth, the bite in the umbilical cord, a baby between sheets of music. Mimi fiddles educationally on a violin without strings, offers her breast and enjoys the little king with an improvised hysterical performance, and suddenly starts with...
Mimi Minus spreads out a paper with a chequered pattern and drinks repeatedly from a bottle containing and dark liquid which is never emptied. The chequered paper is successively covered in chaotic painting until, finally, it is rolled out of the way. Underneath is a fresh chequered paper. With...
The world as a plaything for a giantess from outer space. A Godzilla-imitation on the way to herself: the giantess from outer space in the streets of a big city, fooling around, producing destruction, copulating with the Eiffel Tower. An orchestra of big feelings, the melodrama, defamed in...
The aria is the climax and the plot is as follows: the Tower of Babel, the home of the termites, collapses. The whore (Babylon) - now without home - resides in the canals of an imaginary city, opens a bar and casts pearls before swine. We accompany a not so young couple for a little stretch of the...
In Parasympathica the artist divides her body into two halves, one black and the other white, with everything held together by a crown she wears. This "split" figure rotates jerkily by means of single frame animation. As Mattuschka spins on her own axis in a movement resembling a butterfly, the...
