Raúl Perrone does not usually allow people to register his work. It represents an act of intimacy. However, Martín earns his trust and is allowed to take part in the shooting. Perrone's process of filmmaking becomes a testimony of both his role as a film director and a human being with his lights...
This night, Ituzaingó, in the outskirts of Buenos Aires, exudes film and theater. Actors, actresses, directors, and producers parade like narcissuses of the underground in a world of jealousy, hypocrisy, idiocy, and so much more.
An enchanted and dangerous jungle. A woman and her husband. A young boy and a teenaged girl who look like brother and sister. Another girl and two men from another time. Gunshots. An escape. A cascade and a storm. Love. Passion. Death.
A reworking of Waiting for Godot where two losers (Coco and Peluca) are waiting in an amusement park abandoned to a former occasional boss (Godotti) who owes them a small amount of money.
Heber tender love between a Chinese boy who lives in Buenos Aires, and Jaqueline, a girl from the suburbs. She cares for him, protects and serves as a translator, although he already has three years in Argentina and speaks fairly good Spanish. On that happiness a shadow looms: Heber wants to...
Perrone switches back to color and chooses European painting as the space for his tale and as his land of experimentation. The stage: paintings by Manet, Monet, Renoir, among other chosen artists; still, open-air landscapes put together through their similarities. The characters who move there: two...
Julia is a hairdresser, owner of a remisería, who goes out on a Sunday picnic with her family. The day does not propose anything different from her predictable daily life: the husband protests, the teenage daughter reads dance magazines and the son will be absent.
In his new cinematic adventure, Raúl Perrone makes a new incursion into the Japanese out of Ituzaingó in order to shape the variations of a story that revolves around a woman who cuts dead people’s hair, a samurai with an intolerable mission, a nosy burglar, a feudal lord on the verge of...
Perrone’s devotion to Pasolini has always been very clear. But the explicit homages in P3nd3jo5 and Ragazzi apparently weren’t enough: now a lookalike of the Italian director has turned up in Ituizangó.
Absurd comedy homage to the old television series type "Patrulla de caminos". The protagonists were criminals, three kids who were on the road. But two policemen appear so wonderful that they end up being the protagonists.
1 - the last day in the life of Pasolini but from the look of his aggressor a ragazzi - like any other his friends - his environment - his tragedy 2 - a group of ragazzis working with their wooden carts in the city of Cordoba but the gaze is focus on them - playing in the river and with a...
Fixed open shots are the main resources used to follow a love relationship and the many moments when this liaison between two women – 22 and 24 years old – is recomposed.
