Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all the spellbinding qualities of his better-known feature debut Sindbad (Szindbád, 1971), but here allied to a winning sense of humour that’s...
The extreme forms of light experiments conducted with candles in the intersection of early cinema and avant-garde experiments. The film image is the unforgettable, self-reflective stratification of abstract studies.
In memory of Janos Toth. The ciematographer on title is no other than János Tóth, who is still the role model and reference point for all Hungarian cinematographers. He has proven his unique talent in all cinematographic genres. In his unmissable features, shorts and documentary films, he set an...
The candle as light, photography using light, refraction, motion picture, that is, the film poem-like recollection of the magical world of cinematography.