After arriving in Manila to attend his father's funeral, a Filipino-American is lured into a conspiracy by a mysterious voice on the other end of his cellphone. In order to save the lives of his surviving family members, the expat must perform a series of dangerous tasks amid the labyrinth of the...
Adaptation of Honoré de Balzac's "The Skin of Sorrow" or "The Wild Ass's Skin" (1831), said to be the last novel read by Sigmund Freud before his death. While reading it, he would have said: "This is the only book I needed".
Gold is a project of psycho-geographical investigations. Beautifully shot on location in desert regions throughout the southwest, Gold alludes to the seductive lure of the American west and its history of speculation and spectacle.
A nature-hating aesthete, Jean des Esseintes attempts to furnish and decorate a country home where he will be able to live without ever again having to deal with the outside world.
French artist Dominique Gonzalez-Foerster created the 35mm film Central in 2001. The second of a loose trilogy of films set in different waterfront locations, Central unfolds at the Star Ferry terminal in the titular area of Hong Kong, with a Cantonese voiceover guiding the work’s narrative.
This intimate and musical documentary about the French megastar Christophe will have you screaming like a fan, as it tells the story of the unforgettable and nocturnal musician, author of the legendary song Aline (most recently featured in Wes Anderson’s The French Dispatch).
"Chew The Fat" (Informal) - To have a long friendly conversation with someone. In the film project 'Chew The Fat', the artist Rirkrit Tiravanija, living in New York portraits a group of 12 artists (Douglas Gordon, Angela Bulloch, Pierre Huyghe, Philippe Parreno, Dominique Gonzalez - Foerster,...
Gloria consists of a 5-minute looped tracking shot in a park in the centre of Rio, in Brazil. This park is a copy of a French-style garden, but does not have perfectly straight contours. The tropical climate and the abundance of the vegetation constantly overruns all human efforts to make it a...
"Central Park" is composed of 11 films that offer a visual, sound and poetic journey through 11 cities crossed by the artist. Fascinated by the city, space and urbanism, Dominique Gonzalez-Foerster has been developing the concept of "tropical modernity" for several years, starting from the...
Setting up as the prequel of two existing films of similar name, Belle de jour by Luis Buñuel, and Belle toujours by Manoel de Oliveira, the film is about the new story of Severine, the main character, with Paris as background. Two artists' ideas to recompose the original films make the beautiful...
Noreturn examines Gonzalez-Foerster's own 2008 Turbine Hall installation TH.2058, which imagined the gigantic space fifty years in the future as a dystopian nightmare of steel bunk beds under the watchful gaze of Louise Bourgeois' Spider, an H. R. Giger-like touch. In the video, she unleashes a...
“Romilly” follows a young girl in school uniform larking amongst the bunk beds in the Turbine Hall with a group of friends. We focus on her captivating face, her red hair and rosebud mouth, as she chats with her friends, looks at her hand-held screen, reclines, and sleeps on the bunks. - LEFFEST
For her contribution to the 2006 São Paulo Biennial, Dominique Gonzalez-Foerster used the work of Oscar Niemeyer as a starting point for an exploration of the relationship between the exhibition space and the urban context, through an intervention in which she reproduces and multiplies existing...
A collection of 11 short poetic psycho-geographic portraits of cities and spaces from artist Dominique Gonzelez-Foerster. Ranging from the revisiting of a scene of Ming-Liang Tsai's 'Vive l'Amour' through the eyes of its protagonist, to a ticker-tape parade in Buenos Aires, from a reflection on...
In De Novo she turns the camera on herself, divulging the complicated thought processes behind the works she made for her five different invitations to present at the Venice Biennale. The video shows her unafraid to question the contexts of her own work in relationship to an ongoing inquiry into...
