The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's...
John Cage: I Have Nothing to Say and I Am Saying It
01990HD
This 56-minute documentary on America's most controversial and unique composer manages to cover a great many aspects of Cage's work and thought. His love for mushrooms, his Zen beliefs and use of the I Ching, and basic bio details are all explained intelligently and dynamically. Black Mountain,...
The iconic Merce Cunningham and the last generation of his dance company is profiled in Alla Kovgan's 3D documentary, through recreations of his landmark works and archival footage of Cunningham, John Cage, Robert Rauschenberg, and more.
In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental...
Merce Cunningham choreographed “Changing Steps” in 1973. In its original form “Changing Steps” consisted of a solo dance for each member of the company, 3 trios, 2 quartets and 2 quintets, which could be performed in order, and separately or overlapping if space allowed.
This film includes important examples of the Robert Rauschenberg's diverse and extraordinary accomplishments, tracing his development from his student years and his earliest experiments to a retrospective of his work at the Museum of Modern Art in New York. It features Rauschenberg, John Cage and...
John Cage’s original concept of Ocean, in 1991, was for a dance to be performed in a circular space, with the audience surrounding the dancers, and the musicians (112 of them) surrounding the audience. The last performance was in the Rainbow Quarry in Minnesota, September 2008, at which time the...
Merce by Merce by Paik is a two-part tribute to choreographer Merce Cunningham and artist Marcel Duchamp. The first section, “Blue Studio: Five Segments”, is a work of video-dance produced by Merce Cunningham and videomaker Charles Atlas. The second part, produced by Paik and Shigeko Kubota,...
The décor for BIPED is an exploration into the possibilities of motion capture technology. The movements (but not the physical appearances) of the dancers were transposed into digital images. Paul Kaiser and Shelley Eshkar collaborated with Merce Cunningham to make a new piece of virtual...
“Westbeth” was Cunningham’s first video collaboration with Charles Atlas, and the first video project to be made at the Merce Cunningham Dance Studio on the eleventh floor of Westbeth.
A multi-media event with choreographed dance, mobile decor, variable lighting, multiple film projection, and live-electronic music activated by the dancers' movements.
Cunningham said of his choreography for "Beach Birds", “It is all based on individual physical phrasing. The dancers don’t have to be exactly together. They can dance like a flock of birds, when they suddenly take off.” A work for eleven dancers, the rhythm for "Beach Birds" was much more...
Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same...
Atlas' 2013 film Exchange is based on the 1978 dance piece of the same name by legendary dancer/choreographer Merce Cunningham. Atlas created the newly completed film from never-before-seen footage that he shot in 1978 and that was only recently rediscovered by the Merce Cunningham Trust (MCT). The...
Coast Zone […] explores the use of deep-focus, contrasting background figures (often in motion) with those in the foreground (sometimes in extreme close-up). Shot in January 1983, the first screenings at Dean Junior College in Franklin, MA, 7 April 1984; Merce Cunningham Studio, Westbeth in New...
