A Paleolithic man discovers a mysterious black liquid gurgling from inside his cave. At first contact, he finds himself immersed in a transcendent journey of exploration.
In Ghassan Salhab’s recent short filmic poems and political documentaries, he deliberately uses minimal images to make eloquent expressions of the desire for a new reality. As Salhab puts it: “The uprising in Lebanon was seriously starting to run out of steam; the first lockdown abruptly...
