A high-spirited romp through the (former) campus of San Francisco Art Institute, with two films each from George and Mike Kuchar. Features: Bloodsucker (1975, Mike Kuchar, 21 min.) – 16mm orig presented in digital format; I, an Actress (1977, George Kuchar, 10 min.) – 16mm orig presented in...
On the outer limits of an Oklahoma town both eyes scan the skies for the terror being foretold by the volatile vapors that pulse with urgent radio frequencies. Meanwhile the tummy works overtime in adjusting to the exotic fare being deposited in its once expansive cavity (which has now shrunk...
A quickie side trip to the Virginia Film Festival highlights some nice, fall foliage and a few fleeting faces as the camera probes a sculptural artifact or two before abruptly shutting down.
This video diary/travelogue centers on a tropical trip to Acapulco where yours truly hits both sand and surf with maximum impact. The actual movie that's being documented throughout this video bit the dust via a hard-drive malfunction, so this is almost all that remains (so far) of the doomed yet...
A trip to Winnipeg introduces the viewer to moments of Canadian cuisine and to the easily digestible tidbits that make up the WNDX Film/Video Festival. Come join the movie buffs as they beef up on eye candy and tummy truffles, all the while indulging in a masticating miasma of minutia that's easy...
Another edition to Kuchars weather diary series, this particular one has more social intercourse occurring in the prairie hovel which houses the hidden longings of he who seeks sustenance from the void. The void acts up in the beginning and then simmers warmly in the glow of companionship from...
An eclectic compilation of home movies and early cinematic experiments. Preserved by Anthology Film Archives with support from the National Film Preservation Foundation. “From the age of 12 onward until 17 (the restless years) the Kuchar brothers lived life to the fullest and tasted the spices...
The young and the innocent at the mercy of a palpable presence oozing menace and scarlet-stained goodness as a strawberry sundae melts under the glare of future hell-firestorms in search of kindling.
The dark and sloppy side of touring college towns with your work. An internal expose of external secretions that unfortunately make it to the boob tube in full color.
A trip to the Marin headlands at the Golden Gate of San Francisco Bay headlines this video diary. The viewer gets to eves and eye drop on various verbal and real time activities that are of a wet nature now and then. There’re boats and bodies and some spoken unspeakables amid the splendor of...
The rising moon is the main theme in this short movie of three people and an animal going about their nocturnal rituals. This movie is evidently part three of my trilogy that started with HOLD ME WHILE I'M NAKED and ECLIPSE OF THE SUN VIRGIN. It evidently is, since part three never really came out....
Scenes from a vacation. Music comes on loud and clear and washes over a series of visual impressions of the land and the sky and the faulty plumbing that submerges porcelain bottoms in a sea of unmentionable froth.
A man and a hotel room. One of the best of the series. Writes Kuchar: "Set in central Oklahoma during May, I spend 3 weeks in a motel and get talked at by a small weather-radio that seems to rule my life. I, myself, get to talk at the lady who runs the motel and who runs a cosmetic empire downtown....
This video diary visits two sites that exhibited Kuchars visual works this past year, culminating at the VOLTA ART SHOW in N.Y.C., where he sold some paintings and a photograph.
Writes Kuchar, "Come join Pepe, the magic puppet, as he transports Blackie, the cat, to a world of magic-marker marvels and Crayola creatures. View Blackie's owner as he wanders around a watery world of aquarium relics and flesh and blood quacking things. A picture for the young at heart."
A vehicle for the talented Mrs. Kathleen Hohalek, as the tenant of the Pyramid Penthouse, with George Kuchar and Bob Hohalek as the burglars, "Slug," and "Boom Boom," John Thomas as "the Cooper" and Ainslie Pryor as "the maid."
