It has been a month Chang's wife Ling Yue has been missing. With no reasons one fine day she went to work as usual and then never returns. No one knows where she went or what had happened to her. Chang could not figure out why she disappears out of the sudden. She left no message of whatever kind...
Ulzii, a teenager from a poor neighborhood in Ulaanbaatar, is determined to win a sciences-physics competition to get a scholarship. His illiterate mother finds a job in the countryside, leaving him and his brother and sister in the middle of winter. Ulzii wanders around at night looking for things...
Moon Lee, a celebrated award-winning actress, has become a full-time mom and divorcée since retiring. Desperate to regain her sense of self, she jumps at the chance to work with her long-time collaborator, director Roger Woo, again. Only this time, he casts her as the lead in a do-your-own stunts...
The film uses a documentary approach to tell the stories of 12 Chinese pioneers, chosen from the fields of business and the arts. The protagonists reflect upon their life journeys against the backdrop of modern China.
Amid the wintry steppes, Saina, a Mongolian horseman turned cultural performer, tends his ranch during the day and performs horseback tricks for audiences at night. Unlike the majestic cavalryman he portrays in the show, Saina discovers that his herdsman’s life is on the verge of disintegration.
On May 18, 2017, the Busan International Film Festival’s Program Director Kim Jiseok died suddenly and unexpectedly from a heart attack while on a business trip to the Cannes Film Festival. In the face of his unexpected demise, his old friends and colleagues in the film industry recall what...
Fifteen short films with socio-economic subject matter by 15 directors of Malaysia's "New Wave" and "No Wave." 15Malaysia is a short film project. It consists of 15 short films made by 15 Malaysian filmmakers. These films not only deal with socio-political issues in Malaysia, they also feature...
Ping has come from Penang in the north to Kuala Lumpur to work with her aunt. There she meets John, a young man who keeps trying to approach her. Ping feels increasingly attracted to John, and although she has a boyfriend in Penang she is drawn more and more into his world. Ping loses herself in...
Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both...
Six filmmakers present six short films about the experiences of Chinese immigrants. Shot across Malaysia, Thailand, Singapore and Myanmar, the anthology depicts the crisis of identity that accompanies international migration.
In a remote Malaysian fishing village, two boyhood friends reunite and take a night fishing trip to an uninhabited island. Through their journey and a series of flashbacks, the mysteries of their lives are slowly illuminated in a film hypnotic, tranquil, chimerical and steeped in the deep rhythms...
Made during Tan Chui Mui’s Cinefondation Residency in Paris where she met residents Nadav Rapid and Rusudan Chkonia, who are cast here. The story is inspired by Nadav Rapid’s “Emile’s Girlfriend”.
Fragment is an omnibus film celebrating the strength and diversity of South-East Asian independent cinema. Made up of a collage of ten stories, each story distinctively embraces the other's subjectivities through the collective sentiments of vulnerability and fortitude. This film is commissioned by...
Chen’s daughter is returning from the UK after her university graduation. On the weekend of her return, Chen accidentally learns her secret when they are hijacked by two ruffians.
Zi Kien and his mother Ah Lin only have each other in their lives until one day, Ah Lin starts dating Mr. Lee. Zi Kien feels his place in his mother's life is threatened, and he starts to change himself. This is a story about a mother and son who care too much about each other, yet pretend not to.
We often fall in love first, and then look for reasons, to justify why we love someone. To ask "why you love me?", is as silly as to ask "why you don't love me?". There is no reason, and there is no logic.
