The Second Electronic Visualization Event took place at The University of Illinois Chicago Circle Campus in 1976. This documentation features Bob Snyder on EMU Synthesizer, Phil Morton on the Sandin Image Processor by Dan Sandin and Guenther Tetz on the GRASS (GRaphics Symbiosis System) by Tom...
Phil Morton’s “SAIC Memo” video art work from 1981 features Timothy Leary, Jane Veeder and Jamie Fenton. The Sandin Image Processor, a patch-programmable analog computer optimized for realtime audio video processing and synthesis developed from 1971 - 1973, and The Bally Arcade Video Game...
“This 60 minute electronic fantasy featuring computer animation can control and change your moods of elation and tranquility. To change or enhance your mood, simply play a musical selection that accompanies your present feeling - its mesmerising! The abstract colorised computer animated visuals...
Phil Morton's General Motors was created in 1976. Then based in Chicago, the late Phil Morton created this project as a playful and critical video response in conversation with a local General Motors dealership from whom he had purchased a van. Segments 'Colorful Colorado' and 'RYRAL' begin after...
Between 1976 and 1982, Jane Veeder traveled the western mountains of the United States with Phil Morton. On these road trips the two would shoot video of their surroundings using a portable video recorder. Some of these video recordings of the western mountain terrain were used to produce the...
“Program #9” by Jane Veeder and Phil Morton is a collaborative Video Art work from 1979. “Program #9” is from a series of videos produced by Morton and Veeder under the name “the Electronic Visualization Center a television research satellite to the School of the Art Institute of...
is an informal, offbeat lesson in the electronics and mechanics of television. Sandin demonstrates basic video procedures, including use of the camera and editing decks, and explains the transmission of the television signal.
