A scanned and spinning document of roughly forty phenakistoscopes made from discarded cardboard. Complete with digital scan glitches and singing by Perry Como.
LOVER, LOVERS, LOVING, LOVE (2023) is similar to some of my other recent works, like the three films in the Wasteland series (2017-2021) and M*U*S*H (2022), in that it uses plants from my garden and nearby surroundings to excavate a multiplicity of themes: life/death reciprocity, fertility,...
Different temporalities collide as we see frozen ice cubes of flowers from the first bloom from Mack's garden being reunited with roots from the very same plants.
Culled from instructional publications like "101 Fabulous Rotary Cut Quilts" and "The Joy of Quilting," these cel-based animations - filmed "front and back" - take inspiration from mesmerizing computer graphics. Swelling and contracting in complexity, the loops linger and labor over product and...
A shiny otherworld of holographic reverie pairs dollar store gift bags and haunting resound, unfolding an effervescent melancholy in three parts. Mesmerising RGB bling-bling for the cinema, featuring compositions for bowed vibraphone by Elliot Cole.
Paper sample books discarded and dumpstered by long-gone businesses undergo a series of sequential experiments in pattern, rhythm, colour and text(ure). A call and response of flickering and lingering, this catalogue of catalogues remembers a tactile economy.
Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or...
A summing up of the spontaneous Super 8 filmmaking I have done over the past decade exploring nature, home, and friends using improvised distorting lenses, macro photography, and pixillation. I imagine that it would fit the film scholar P. Adams Sitney's definition of a " Quotidian Lyric". Music by...
