Santiago Loza Movies

Rina and Yaco are two single brothers who live in a town in the interior of Santa Fe and work together in the warehouse in front of their house. Every day seems the same: without leaving, almost without speaking. But today is the carnival dance and something can change.

The dance of the cuartetos with Carlos Giménez, the people who love him, the people who do not love him, the joy of the meeting and the emptiness of a party finale.

Two brothers await with their dying mother the precise moment that the rain gives them a break. The harvest has had its time to ripen and has begun to weaken. They would make a decision: stay there to take care of her or go out to do the job before the water destroys the crop.

A boy begins to write love letters on request, a teenager who no longer wants to be and his mother a reluctant woman. Entangled in the same story.

A country boy tries to find his place in Buenos Aires. He goes to live with his cousin in the outer suburbs and works as a parapalos ("pin setter") in one of the city's last hand-operated bowling alleys.

Julian, a teenager, falls madly in love with Laura whom he meets only through what a friend tells.

Mara, a young speleologist, lives with her father Horacio, a rural veterinarian. Both emigrated to Italy from Argentina decades ago. Horacio makes one last trip, curing animals in the mountains, before dying. Mara, some time after her departure, meets Roy, a Dominican boy who arrives in town...

Lara must take the train every day to go to work. In that monotony she meets someone special, but it is not what she imagined.

A man in a suit makes successive trips, bus, on a raft, on foot. Carry a bag with money for the rescue of his wife's kidnapping. Wait for the timely signal to act. The trips are made to corroborate that there is no police observing. He is a single man. These journeys are useless, erratic. The...

Follows a group of friends adrift in a swampy after-hour: at dawn after a party, where the body struggles between arousal and extenuation.

As if it were a continuation of the last 15 minutes of AB, Fund and Loza, now accompanied by Moriconi, radicalize the aesthetic procedure of the previous film made together: on the one hand, there is a free text, between poetic and philosophical, pronounced voiced by two men and a woman; on the...

Santa Fe - notes, 2017 - 2019 is a story made up of fragments of landscapes, buildings, voices and objects. It is a film built on the relationship between art and the colony, memory and threat, native peoples and silence.