Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by...
Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate mausoleums. The film does not attempt to...
A letter about the persistence of ghosts, the incomprehensibility of the past and its traces in the present. A city in two times, 50 years apart. Images and words that mix and overlap, while memory recovers streets, museums, cemeteries, absences. And suddenly something explodes.
Close to achieving the same age as her mother when she was kidnapped in 1976, the film director began an intense investigation that leads him to meet with old colleagues and militants close to his mother. In this search, new questions arise, misunderstandings, silence, and complicity.
Premiered in the framework of Bafici, Seized Files: Film School is the second collective feature sponsored by the Museum of the Cinema of Buenos Aires, this time with propaganda series produced during the fifties, aimed at a young audience also protagonist of them. The more re-concentrated nature...
A film buff does his generational autobiography by relating the problems of maturity in contemporary cinema to the character of Antoine Doinel. When he learns that the actor who played him is coming to visit his city, he makes a drastic decision.
