Danka was an unwanted child. From an early age she had to cope on her own. Despite harsh conditions and difficult experiences, she has not lost her dignity, has remained true to her ideals, and has a sense of integrity and honesty. When the opportunity to conditionally shorten her sentence in a...
A middle-aged man sets out on a symbolic journey through past, present, and future to learn why an old friend committed suicide, and learns much about his own life along the way.
The screenplay is based on an authentic story of a robbery of a branch of the National Bank of Poland in Wolow. The thing took place in 1962, 12 million zlotys were stolen. For some time the perpetrators remained at large. Soon, however, the police came across their trail and the criminals were...
Fram is in a German POW camp where brutal, cold-hearted Gestapo officers like Weber or Von Steinhagen terrorize and execute their Polish prisoners. One day Fram sees a way to escape the camp and he takes it, heading out to find his fellow resistance fighters.
The protagonist of the film, Piotruś, experiences various events with a globe taken to school for geography lessons. During his journey through the city, he confronts the knowledge acquired at school with life.
Originally, Munk intended Eroica to be a triptych with Con bravura being the first part, but he ultimately gave up on this film, deeming it weaker artistically than the two counterparts. Con bravura is about conspiracy conflating the paths of a rather unconventional nun and an intrigued young man...
Romek is a shipyard worker. He comes from the village where his parents stayed on the farm. The boy sends them money to modernize the farm. One day, Gośka, his ex-girlfriend, shows up at his place. Gośka ran away from home, entered into bad company. Romek tries to help her.
In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film...
Intended as a documentation of Polish artist and theatre-maker Tadeusz Kantor’s “informal painting”, Mieczysław Waśkowski’s film develops a hectic experimental life of its own. The gestural application of paint is staged on changing spatial levels by means of glass plates, camera...
