Here Ahwesh's heterogeneous textual approach comes to the fore, as she juxtaposes narrative, faux documentary, comedic and "serious" footage, and merges film, video, and Pixelvision. Suggestions and meanings accumulate: austere, theoretical text is interrupted by shots of women relating bawdy...
An exploration of Keats’s proposition, that “when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason…the sense of Beauty overcomes every other consideration, or rather obliterates all consideration.” We live in an age of...
Finally, manipulating the "natural" flow of the film image represents another kind of intrinsic interruption. I have in mind such devices as artificially slowing motion by step printing the home movie footage for Imitation of Life in the KAPITAL cycle.
