The primary motif in this silent picture is a grid that controls the shapes and motions of forms contained within the framework of a rotating cube. Constructed from interlocking cycles, the film explores branches and loops along paths laid down by geometric logic.
Twenty animators from the U.S., Switzerland, Poland and China express their friendship with and love of animation in a series of animated variations on the standard countdown.
A filmed exercise that follows in the path of Rotating Cubic Grid and Cubits, the predictably titled Cube features cubes of varying shapes and size sliding around and growing into and out of one another, demonstrating how multiple parts can make up a whole.
A stop motion opus made up of hundreds of hand-painted wooden blocks that takes the viewer through a brief history of architecture. Primitive structures evolve into larger buildings...
Slated for inclusions on the Boston based Infinity Factory educational program alongside Map Projections, Digging to China explores a familiar childhood activity on a global scale.
After a day of gathering hundreds of seashells and rocks from the beach, Jarnow uses the found objects to construct a stop motion commentary on how we look at nature through various cinematic techniques.
Intended to be an "animation machine," Four Quadrant Exercise finds Jarnow adapting a perspective system, enabling him to render complex motions almost automatically. Created prior to the streamlined ease of computer software, this short is a commitment to the joy of making marks on paper.
When Jill Jarnow won a blue Volkswagon in a design contest, and named the car Wart after the young king Arthur in T.H.White's The Sword and the Stone - it naturally wasn't long before the iconic vehicle turned up in a film. Autosong unfolds on an autobahn of the mind, a road between the formalism...
A seashell belonging to a northern moon snail twists and turns 360 degrees in multiple wooden homemade contraptions and through contact sheets at a progressively rapid pace, before finally synthesizing the gnomic growth of the spiral shell and exploring the phenomena of virtual and real space and...
In what would become a familiar theme throughout his carrer, Jarnow explores the earth from above, invoking Buckminster Fuller's Dymaxion and the Gnomic map to illustrate different geometric and compromise projections.
A mind-twisting time-lapse beginning on a hill just outside town, doing for the concept of time what Charles and Ray Eames's 1968 film The Powers of Ten did for space. One billion years in two minutes.
