Thirty-five years after Bruce Lee, his soul reincarnates into a little doll. With self-confidence, the rubber-made toy leaves to discover the great-scaled world all around him.
Davide Pozzi, who oversaw the delicate process of scanning the original camera negative, discusses the restoration of Alain Resnais' 1959 film HIROSHIMA MON AMOUR with cinematographer Renato Berta, a special consultant on the project.
