The boy and the girl are suddenly separated from the picture book by a hand, which tears off a page from the book and makes a paper airplane in which the boy remains trapped. In her attempt to help the friend, she couldn’t achieve anything if all the children’s drawings in the city did not help...
A group of men, women and Kristl with his camera debate how to resist authority in all its forms. All cinematic professionalism is avoided as Kristl explores how to live and make films politically.
"I shot this film, Italian Capriccio, as if it were my last. Now I see I had nothing to offer to anybody. No thought, no suggestion, nounderstanding. It is my conviction that this is a way to make this film uninteresting. I hope that Power will get people riled enough some day."
