Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.
"Nazarín is a Quixote of the priesthood " "Among the films I have made in Mexico, Nazarin is one that I prefer." "As inexplicable as the accidents that set it off, our imagination is a crucial privilege."
Javier Espada explores how Luis Buñuel, one of the greatest precursors of surrealist cinema through works like An Andalusian Dog and The Golden Age, began to move away from this movement but never completely abandoned it, maintaining a strong oneiric element in his films. Taking us deep into his...
