Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the...
A British WWII propaganda short warning citizens that Nazi sympathizers could be listening to their everyday conversations to discover important information about the war effort.
This experiment was a “prestige advertisement” for Shell Motor Oil. As conventional animation became dominated by Walt Disney, many European filmmakers turned to puppets as an alternative, and Lye enlisted the help of avant-garde friends such as Humphrey Jennings and John Banting to make the...
Surrealism, avant-garde sound montage, and irreverent wit might be the last thing you'd expect from a government-sponsored film about wartime cookery. But director, artist, animator and all-round firework of a man Len Lye specialised in the unexpected. A simple tale of a mother cheering up her...
Lye edited together “swing” versions of the popular Lambeth Walk (including Django Reinhardt on guitar and Stephane Grapelli on violin), combining them with a particularly diverse range of direct film images, scratched as well as painted. He was particularly pleased with a final guitar solo...
Life’s Musical Minute, recently re-discovered, is a short promotional film of this kind, based on Gene Krupa’s drum solo from “Golden Wedding” by the Woody Herman jazz band. It was Lye’s attempt to gain support from Life Magazine.
In 1944 Lye moved to New York City, initially to direct for the documentary newsreel The March of Time. He settled in the West Village, where he mixed with artists who later became the Abstract Expressionists, encouraged New York’s emerging filmmakers such as Francis Lee, taught with Hans...
A fictional enactment of the deadly contest between a British soldier and a German sniper hiding in a tree. Kill or Be Killed differs from most army instructional films because of its powerful dramatization.
Lye completed his last great film a few months before his death at the age of 78. The film returned to the black-and-white techniques of Free Radicals. Lye created what he called “vibrant little images” or “zig-zags” with a sense of “zizz”. The clusters of small scratches gave the film...
A perfect fusion of poetry and film, with dense layered imagery and music from electro pioneers Louise and Bebe Barron. The writer Anaïs Nin provides dialogue from her novella “House of Incest” and appears adrift in the undersea realm of Atlantis before ascending to dry land.
In 1959 the United Nations commissioned Lye to make this one-minute film, “Fountain of Hope,” to publicize United Nations Day (24th October). The film was screened worldwide in cinemas and on television. Lye superimposed the word for “peace” in many different languages over some of his...
For Kaleidoscope, which was sponsored by Churchman Cigarettes, Lye animated stenciled cigarette shapes and is said to have experimented by cutting out some of the shapes so that the light of the projector hit the screen directly. As in Colour Box Lye uses music by Don Baretto and his Cuban...
