BBC Four’s new documentary takes us on a journey through more than a century of animation. It examines the creative and technical inventiveness of some of the great animation pioneers who have worked in Britain – trailblazing talents such as Len Lye, John Halas and Joy Batchelor, Joanna Quinn,...
Trade Tattoo went even further than Rainbow Dance in its manipulation of the Gasparcolor process. The original black and white footage consisted of outtakes from GPO Film Unit documentaries such as Night Mail. Lye transformed this footage in what has been described as the most intricate job of film...
A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.
Intended as a publicity film for Chrysler, Rhythm uses rapid editing to speed up the assembly of a car, synchronizing it to African drum music. The sponsor was horrified by the music and suspicious of the way a worker was shown winking at the camera; although Rhythm won first prize at a New York...
In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leader, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival...
With the screen split asymmetrically, one part in positive, the other negative, the film documents the evolution of simple celled organic forms into chains of cells then more complex images from tribal cultures and contemporary modernist concepts. The images react, interpenetrate, perhaps attack,...
Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their own experiments in the field of visionary filmmaking.
This film documents the major directions in modern American art during the first seven years of the 1960s. The keynote is that the artist has expanded his realm from the two-dimentional picture frame, climaxed by the artists of the 40s and early 50s, merged color with sculpture, and sought out...
Lye created a series of scratched images in the 1950s – more regular or geometric than his usual style – to accompany Rock ‘n’ Rye, a track by jazz guitarist Tal Farlow, but he did not get far with the editing. He returned to the material in 1980 but died before it was completed. His...
This riot of color was a showcase for Lye’s hand-painted and stenciled imagery. Sponsored by Imperial Airways, it incorporates the airline’s “speedbird” symbol, and the music consists of “Honolulu Blues” by Red Nichols and a rumba by the Lecuona Cuban Boys. Time Magazine raved about the...
Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the...
This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann...
This was another sample promotional film, which Lye offered to television stations. He scratched some dramatic black-and-white abstract images, hand-coloured them, and combined them with African drum music. The film gives us a taste of what Free Radicals would have looked like if it had been made...
Correspondence between young lovers nearly ends in disaster through a mistake in postal district. Fortunately the GPO spots the error and all ends well, but with the moral that correspondents should get the address right.
Commissioned by the Pittsburgh Bicentennial Association to celebrate the city’s 200th anniversary, PITTSBURGH was created by a team of filmmakers that included Stan Brakhage (working under the pseudonym James Stanley), Weegee, Len Lye, and Stan Vanderbeek, and photographers W. Eugene Smith and...
