A mapping of an image of the linear passage of '16mm film frames' and 'emulsion scratches' onto actual 16mm film strip (the unperceived film 'print')/the aural word 'miscellaneous' is extended to a length of 8 minutes by serial fragmentation, looping, staggering and overlaying/a variational but...
Sharits produced Color Sound Frames by rephotographing strips of his previous films. He moved the strips, singly and in pairs, across a light table in front of the camera at various speeds. Sprocket holes of the original strips are visible at the edges of the frame, and the soundtrack of this film...
In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli. In a careful juxtaposition and fusion of these elements on different parts of our being, usually occurring simultaneously, we feel at times...
Blank color frequencies space out and optically feed into monochrome images of one lovemaking act which is seen simultaneously from both sides of its space and both ends of its time.
