Filmed in real time and from a fixed camera angle, NО̄ creates a visual choreography from an everyday action. A Japanese peasant couple is bundling hay and later spreads it out again over the field. This action, which occurs in linear geometric precision from back to front and vice versa, ensures...
An unsentimental elegy to the American West, Sweetgrass follows the last modern-day cowboys to lead their flocks of sheep up into Montana's breathtaking and often dangerous Absaroka-Beartooth mountains for summer pasture, revealing a world in which nature and culture, animals and humans,...
Teatro Amazonas is an elaborate, intriguing formalist experiment investigating the cinematic gaze and cultural exchange, and offering an unconventional ethnographic record of its Amazonian subjects engaged (and disengaged) in the act of spectatorship.
Celebrated for his minimal, monumental landscape studies, James Benning turns to the intimacy of the portrait in his latest film, TWENTY CIGARETTES. Referencing Warhol’s screen tests, 1930s Hollywood glamour, and the disappearing cigarette break, the film captures 20 of Benning’s friends...
Double Tide documents the work of a female clam digger in the mudflats of coastal Maine and is filmed on the rare occasion in which low tide occurs twice within daylight hours—once at dawn and once at dusk.
‘Podwórka’ captures six groups of neighbourhood youth as they play in seemingly deserted yards, offering an intimate portrait of daily life in Łódź, Poland. Shot with a fixed camera, this single-channel video projection highlights American artist Sharon Lockhart’s concern for the...
This non-narrative film depicts the routines of a girls' basketball team in a junior high school near Tokyo. Shot with a stationary camera, it consists of six ten-minute segments, some of which show the girls' routine exercises, others of which are choreographed.
Shot in Gotland, Sweden, EVENTIDE is a 30-minute single take filmed as dusk turned to night during the annual Perseid meteor shower. From its stationary position, the camera records the slow entrance and exit of several figures exploring the rocky shore flashlights in hand. The rhythmic pacing of...
Sharon Lockhart's debut film from 1994 is divided into three parts. All parts are linked in showing the progression of a devastating skin disease of two ten-year-old boys which is successively revealed to be the progression of a skilfully applied special effects make-up. Shot against coloured...